![]() ![]() Rosier" is also recorded in the inscription. On the book on the left of the painting the date 1632 is inscribed, along with Artemisia's name (which is written in upper case) The name of "F. It was not uncommon for Gentileschi to reuse or alter course during the painting of a canvas. Traces of earlier painting underneath the surface suggest, but cannot definitively prove, that the earlier subject was that of Fame, another figure from Ripa's Iconologia. Cesere Ripa's Iconologia, an important source book for artists of the time, stated that Clio should be depicted with a crown of laurels, a trumpet and an open book. The figure depicted is Clio, the Muse of History. The space in which she stands is dark, with a light source from the left casting highlights on her face, chemise and the pages of the book. She wears a russet-coloured gown over a white chemise, covered with a blue mantle pinned with a brooch at the left shoulder. She wears a crown of leaves as well as a large pearl earring in her right ear. Her left hand rests on her hip, with her right hand resting on a trumpet perched on an open book. ![]() In stylistic terms, the painting demonstrates Gentileschi's borrowing from Venetian styles of painting where she "applied her colors in a free and more spontaneous fashion." Description Ī woman is shown in three-quarter view, turned to her right looking over her left shoulder, eyes cast upwards. The painting has been interpreted in relationship to Gentileschi's own career and self-image - "by including her signature in Clio's open book, Artemisia was quite literally writing herself into history". It currently hangs in the Palazzo Blu, Pisa. It was painted around 1632, just after Artemisia had moved to Naples. Clio, Muse of History is a painting by the baroque painter Artemisia Gentileschi. ![]()
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